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On Wednesday, March 14th, 2001, a casting call was made for Madonna at the Musical Theatre Works in New York City. Over 3000 dancers, men and ladies lined up for up to 6 hours to get a chance to audition. The anticipation was nerve-wracking! The countless questions of many anxious dancers and the silent thoughts -- Do we have the right look? Right attitude? Right skills? What if? The wondering if there could have been more training or more preparation and the doubt. As hungry
dancers striving for the top, we bonded together sharing our helpful
experiences with each other in effort to try to figure out what exactly
would be expected of us at the audition and the choreographer, Mia Michaels.
For those of you who aren't familiar with Mia Michaels, she doesn't
mess around! She is highly technical, creative and demands a lot from
her dancers. We all knew that the most important thing was gaining the
experience... not just getting the gig. We were lucky enough to get
an opportunity to demonstrate our skills. After auditioning over one
thousand people in a matter of 12 plus hours, they did a random pick
of the remaining people in line and sent about another 2000 people home.
Once they call your number, you exhale, and it's at this point you say
all I can do is try my best! All the hours of training comes down to
moments like this and it's all worth it! We were early, waiting to audition our 2nd set. In the 2nd set, the actual audition was a jazz sequence, which was quickly demonstrated barely twice, if you blinked your eye you'd miss half of it. Jazz technique was a must, it came down to how well you picked up the sequence, executed it, and whether you have the right look while doing it. How much you can impress your highly trained judges in the 2-4 minutes you are in front of them is what will make you or break you…and after it's all over, you exhale again and hope for your number to be called. Although we didn't make the Madonna Tour, Kathy and I were more then happy as we gained knowledge and a valuable experience to help us grow and prepare for the next time around. Like I always say, it's easy to dance…. but it's entirely different to be a dancer. Where it starts and ends is in the studio, the hours of preparation, mental conditioning, technique…all takes time, it requires skill that is acquired over years of training, not overnight. That's what we strive for… so until next time… watch out Madonna, here we come! After our
long eventful day, we decided to finish our night off with a salsa fix.
On a Wednesday night, "Nell's" nightclub is one of the popular
hotspots for salsa dancing in New York. We knew we would be bombarded
with people asking us to dance "mambo on 2" which we fully
appreciated and had fun doing… but then Kathy and I decided we'd give
the New Yorkers a taste of our style and fire. After finding a couple
of people that did dance on "1" and showing a little of our
open shines, we quickly drew a crowd by the New Yorkers, curious as
to where we were from. We also met up with a fellow salsero. For those
of you who are familiar with Angel Ortiz, he is a well-known instructor
and performer and dances with Bacardi. |